Is Armin Hofmann still alive?
Is Armin Hofmann still alive?
Deceased (1920–2020)
Armin Hofmann/Living or Deceased
How old was Armin Hofmann when he died?
100 years (1920–2020)
Armin Hofmann/Age at death
What did Armin Hofmann do?
He is well known for his posters, which emphasized economical use of colour and fonts, in reaction to what Hofmann regarded as the “trivialization of colour.” His posters have been widely exhibited as works of art in major galleries, such as the New York Museum of Modern Art.
Where did Armin Hofmann study?
Hofmann was born in Winterthur, Switzerland, in 1920. He studied at the School of Arts and Crafts in Zurich, then worked as a lithographer in Basel and Bern.
Where did Armin Hofmann live?
Born on June 29, 1920, Armin Hofmann grew up in Winterthur, Switzerland. He attended the School of Arts and Crafts in Zurich and later took up a job as a lithographer in Basel and Bern.
What font does Armin Hofmann use?
The International Typography style is what Hofmann’s work is considered to be part of; Sans-serif fonts were his choice typography style and specifically the Helvetica font style came out of the Swiss art movement.
How do you pronounce Lubalin?
The correct way to pronounce ‘Lubalin’. His name is pronounced ‘Loo-baa-lin’, with the accent on the ‘baa’. Like most Brits, I had always referred to him as ‘Loo-b’lin’ (accent on ‘Loo’), and it took many months of interviewing Lubalin family members and former colleagues, to break the habit.
How old is Armin Hofmann?
Armin Hofmann (HonRDI) (born 29 June 1920) is a Swiss graphic designer. He began his career in 1947 as a teacher at the Allgemeine Gewerbeschule Basel School of Art and Crafts at the age of twenty-six.
Who is Helmut Hofmann?
Hofmann followed Emil Ruder as head of the graphic design department at the Schule für Gestaltung Basel (Basel School of Design) and was instrumental in developing the graphic design style known as the Swiss Style.
What is the contribution of Paul Hofmann to art?
He is well known for his posters, which emphasized economical use of colour and fonts, in reaction to what Hofmann regarded as the “trivialization of colour.” His posters have been widely exhibited as works of art in major galleries, such as the New York Museum of Modern Art. He was also an influential educator, retiring in 1987.
