How many watts is a Kino Flo?

How many watts is a Kino Flo?

Kino Flo’s new 26W color-correct CFL is equivalent to a 100W incandescent bulb.

How bright are Kino Flo lights?

Kino Flo’s award winning 4ft 4Bank portable lighting system is reintroduced with a new design. The 4Bank is brighter than a 1,000W softlight, yet draws only 2.6A (120VAC), 50% less than the previous model. New features include new graphics, new color coded connectors and new power switches.

Is Kino Flo led?

The RGB color menu gives individual control of red, green and blue LED’s. The RGB mode is a great way to work with apps with predetermined RGB presets or color wheels. Kino Flo’s True Match® firmware balances their LED lights to the cameras rather than the other way around.

What is HMI lighting in photography?

HMI (Hydrargyrum Medium-Arc Iodide) is a type of light which uses an arc lamp instead of an incandescent bulb to produce light. HMI lights are high-quality and correspondingly expensive. Light Quality: Directors of photography speak highly of the light produced by HMIs.

Can you dim a Kino Flo?

Kino Flo ballasts can operate through a dimmer board. Set the operating channel as a non-dim control. This enables the board to turn the ballast on or off. The lamps will not dim through the dimmer.

What type of light is a Kino Flo?

fluorescent lamps
Kino Flo True Match® lamps are the only High Output (HO) fluorescent lamps designed to correspond to the spectral sensitivity of film and digital imaging. In 1995 Kino Flo was awarded an Academy Award for Technical Achievement for its unique lamp engineering and fixture designs.

What are Kino Flo’s used for?

What Are Kino Flo LEDs? Kino Flo LED lighting systems are designed especially for for digital imaging application like television and cinema production. LEDs are becoming increasingly popular as a viable and effective alternative to traditional forms of lighting in video and film production.

What is a Leko light?

A Lekolite (often abbreviated to Leko) is a brand of ellipsoidal reflector spotlight (ERS) used in stage lighting which refers to the half-ellipsoidal dome reflector within which the instrument’s lamp is housed.

How many Kelvin is red?

A low color temperature (1000 K) indicates a dull red light, a medium temperature (3000 K) gives an orange-red glow while a high color temperature (5000 K) indicates a bright blue-white light. Thus, the color temperature indicates the perceived ‘warmth’ (red) or ‘coolness’ (blue) of a light.

How many Kelvin is red light?

That’s why the higher color temperatures (5000K-8000K) is vibrant white and blue, while the lower color temperatures (2000K-4000K) are red and orange.

What Two color temperatures are available on the bulbs for the Kino Flo?

You can also change the color temperature with the 5 factory preset buttons: 2700K, 3200K, 4500K, 5500K and 6500K.

What is the Kino Flo 4ft 4bank?

From lighting close-ups in a restaurant location to lighting large blue and green screens, the 4ft 4Bank is the most versatile product in the Kino Flo product range and was the first product developed by Kino Flo more than 25 years ago. The 4Bank Fixture houses the lamps and is comprised of a removable Louver, Reflector, and Lamp Harness.

What is the range of a Kino Flo ballast?

Unlike conventional architectural ballasts that need to operate three feet to six feet from the fixture head, Kino Flo ballasts can operate the fixture heads from up to 75 feet (3 x 25ft extension cables). four lamps (4ft or 2ft) up to 75 feet between ballast and fixture.

What is the 4bank system?

The 4Bank System was designed as a softlight source that could be plugged into the wall on location. With its narrow profile and size, the 4Bank could approximate the quality of light from bounced sources without losing set space. Ballast ( fig. 3) and Extension Cable ( fig. 4 ).

Why choose Kino Flo’s true match?

It’s important to know that the True Match daylight and tungsten 4ft tubes and 2ft tubes common on sets around the world are unique to Kino Flo because they display broad, even, color-correct light that cinematographers have come to depend on.