How do you make double tracked vocals sound good?

How do you make double tracked vocals sound good?

First, copy your vocal onto a second track, delay it by 80ms or so, then use a pitch‑correction plug‑in to pull it tightly into pitch, but not so tightly that it sounds false or robotic. Even if the original part was very well sung, there should now be enough pitch difference to create an audible effect.

Where do you pan for doubled vocals?

Try setting up a rhythmic delay specifically for your doubles or give them their own reverb, creating a cloud in which to cushion the lead vocal. If your doubles are panned wide, you could also pan the reverb wide. Alternatively, you could mono the reverb for the doubles and stack it behind your lead vocal.

Should I always double vocals?

Again, you don’t want an exact clone of the original vocal track. However, you also don’t want to stray too far. If the doubled track is too off the mark in pitch, tenor, timing, or anything else, the double will hurt the mix, not enhance it. This is why it’s best to double as you go.

Should you always double track vocals?

If you’re making modern rap music than no, you don’t need a vocal double track for the main verses. This is because doing a vocal double is going to make your vocals sound muddy and outdated. If you’re double track is even a millisecond off, you’ll have slight alignment issues with the main vocal track.

Should I hard pan vocals?

If your track has lead vocals pan them center as well. Experiment with panning duplicates of effected vocals to the left or right. But as a general rule lead vocals should always be panned center.

Why did John Lennon double track his voice?

The whole idea had started with John Lennon. Lennon insisted his voice be “double tracked”—again, first manually and then electronically. Lennon wanted the added depth to conceal—maybe to enrich—his own voice. Basically, as hard as it is to imagine, John Lennon hated the sound of his own voice!

What is the double voice effect called?

Double tracking
Double tracking or doubling is an audio recording technique in which a performer sings or plays along with their own prerecorded performance, usually to produce a stronger or bigger sound than can be obtained with a single voice or instrument.

Should you double vocal harmonies?

Doubling vocals is a popular technique, but be careful about setting levels—the doubled track should support the main vocal, not compete with it, unless you want a more diffused vocal effect. Pitch correction software can also produce automatic double-tracking effects.

Should you pan lead vocals?

The best way to give your mix a solid core is to keep lower frequency sounds in the center. That means kicks, basses and anything else below the 120hz range. If your track has lead vocals pan them center as well. But as a general rule lead vocals should always be panned center.

How do you double track vocals?

Once the tracking is complete and a song is ready to be mixed, panning tends to be a common approach for vocal doubles. The method is pretty self-explanatory and involves panning one vocal hard left and the other hard right. Double tracking these vocals like it’s going out of style.

How to make a sound like a double tracked sound?

Another way you can create a similar effect to the double tracked sound is by duplicating the vocal track and using delays and pitch shifter plugins to achieve this. If you don’t do this, all you will be achieving is that the vocals will sound louder.

How to make two vocals sound bigger?

Using a Doubled vocal is, however, the best way to fatten up the sound, especially if the singer can deliver a well sung double track. After recording a doubled vocal track, you then can proceed to use all the plugins you want on them to enhance the sound even more. Since you’re mixing two vocals, you can’t really treat them like one.

How do I adjust the vocal doubling effect?

The vocal doubling or double tracking effect is adjusted by the separation and variation knobs. Separation widens the doubled signal for when you need an anthemic chorus vocal. Variation controls the level of human-like expression, making the doubled signal seem like a natural studio retake.