What is John Field famous for?
What is John Field famous for?
John Field (26 July 1782 – 23 January 1837), was an Irish pianist, composer, and teacher. Field is best known as the inventor of the nocturne. He is mentioned in passing in War and Peace when Countess Rostova calls on the Rostov household musician to play her favourite nocturne.
Where was john Field born?
Dublin, Ireland
John Field/Place of birth
John Field, the greatest Irish musical figure of the Romantic era, developed a highly influential keyboard style. John Field has been ascribed for the invention of the Nocturne. John Field was born in Dublin, Ireland in 1782, the eldest son of Irish parents who were members of the protestant Church of Ireland.
How many piano concertos did john Field write?
seven piano
Field wrote seven piano concerti and four sonatas, in which high quality is often apparent but not consistently maintained. In the nocturnes, more concise and intimate than his larger works, Field’s music is distinguished in style and varied in mood.
What is the opposite of nocturne?
diurnal
Nocturnal means ‘done, occurring, or active at night’. Its opposite is diurnal, though this term is not as common. There is also a zoological term to describe animals that are active in twilight: they are known as crepuscular.
Did Chopin invent the nocturne?
Frédéric Chopin wrote 21 nocturnes for solo piano between 1827 and 1846. Although Chopin did not invent the nocturne, he popularized and expanded on it, building on the form developed by Irish composer John Field.
Who is the father of romantic nocturne?
composer John Field
The first nocturnes to be written under the specific title were by the Irish composer John Field, generally viewed as the father of the Romantic nocturne that characteristically features a cantabile melody over an arpeggiated, even guitar-like accompaniment.
What are the characteristics of a nocturne?
Form. While meters and keys vary, the nocturnes are generally set in ternary form (A–B–A), featuring a melancholy mood, and a clear melody floating over a left-hand accompaniment of arpeggios or broken chords. Repetitions of the main theme generally add increasingly ornate embellishments, notably in Opus 9 No. 2 in E♭.
