Who is the father of Russian formalism?
Who is the father of Russian formalism?
Viktor Shklovsky
| Viktor Shklovsky | |
|---|---|
| Died | 6 December 1984 (aged 91) Moscow, Soviet Union |
| Alma mater | Saint Petersburg Imperial University |
| Notable work | Art as Device (1917) Zoo, or Letters Not About Love (1923) Theory of Prose (1925) |
| School | Russian Formalism |
What is Viktor Shklovsky famous for?
Viktor Shklovsky, in full Viktor Borisovich Shklovsky, (born January 24 [January 12, Old Style], 1893, St. Petersburg, Russia—died December 8, 1984, Moscow), Russian literary critic and novelist. He was a major voice of Formalism, a critical school that had great influence in Russian literature in the 1920s.
In what ways is an art a technique according to shklovsky?
Shklovsky indicates that true technique of art is to make objects unfamiliar, and to make the forms difficult to understand so as to increase the difficulty and length of perception. He states “art is the way of experiencing the artfulness of an object; the object is not important”.
Who founded Moscow Linguistic Circle?
The Moscow linguistic circle was a group of social scientists in semiotics, literary theory, and linguistics active in Moscow from 1915 to ca. 1924. Its members included Filipp Fortunatov (its founder), Roman Jakobson, Grigoriy Vinokur, Boris Tomashevsky, and Petr Bogatyrev.
What is the effect of the Defamiliarisation?
Defamiliarization or ostranenie (Russian: остранение, IPA: [ɐstrɐˈnʲenʲɪjə]) is the artistic technique of presenting to audiences common things in an unfamiliar or strange way so they could gain new perspectives and see the world differently.
What is literary estrangement?
In essence, estrangement is a method of analyzing the artfulness, rather than the psychological meaning or logical message, of imaginative works of prose and poetry.
Who belongs to the school of New Criticism?
Important New Critics included Allen Tate, Robert Penn Warren, John Crowe Ransom, Cleanth Brooks, William Empson, and F.R.
Which modern critic has talked about the theory of impersonality in poetry?
T.S. Eliot’s
The central point of T.S. Eliot’s impersonal theory of poetry is that the poet, the man, and the poet, the artist are two different entities’. The poet has no personality of his own. He submerges his own personality, his own feeling, and experience into the personality and feelings of the subject of his poetry.
