What means canon in music?
What means canon in music?
In music, a canon is a contrapuntal (counterpoint-based) compositional technique that employs a melody with one or more imitations of the melody played after a given duration (e.g., quarter rest, one measure, etc.).
What is a 12-tone row in music?
Twelve-tone music is most often associated with a compositional technique, or style, called serialism. Twelve-tone music is based on series (sometimes called a row) that contains all twelve pitch classes in a particular order.
What type of music is canon?
A canon is a piece of music where a melody is played and then imitated (one or more times) after a short delay. It is a contrapuntal technique as the melodic lines move independently from each other, but are linked harmonically.
What is a round or canon in music?
round, in music, a polyphonic vocal composition in which three or four voices follow each other around in a perpetual canon at the unison or octave. The catch is a particular type of round. Related Topics: song canon catch.
Is canon a classical music?
Love it or hate it, Pachelbel’s Canon in D is one of the most famous pieces of classical music of all time, but the facts behind the composition aren’t as well known.
What is the all-interval twelve-tone row?
The all-interval twelve-tone row is a tone row arranged so that it contains one instance of each interval within the octave, 0 through 11.
What is twelve-tone music?
Twelve-tone music is most often associated with a compositional technique, or style, called serialism. The terms are not equivalent, however.
What is the purpose of the 12 note technique in music?
The technique is a means of ensuring that all 12 notes of the chromatic scale are sounded as often as one another in a piece of music while preventing the emphasis of any one note through the use of tone rows, orderings of the 12 pitch classes. All 12 notes are thus given more or less equal importance, and the music avoids being in a key.
How many tones should you put on a piano row?
Here’s an example, the row for Webern’s Piano Variations, Op. 27: There are some general rules for using a twelve-tone row, though as I said, individual approaches are always different:
