What is Ruth Duckworth famous for?
What is Ruth Duckworth famous for?
Ruth Duckworth was a British sculptor who was best known for her smooth ceramic works of abstract forms derived from nature. Finding much of her inspiration from early Bronze Age Cycladic sculptures, Duckworth’s works have smooth and elongated silhouettes with slight details to insinuate the face and limbs.
What did Duckworth do for a living other than create art?
Instead, she moved to London where she went to art school and studied sculpture. She remained there during WWII and worked as a tombstone carver, a nod to the tumultuous times she lived in. After the war, Duckworth continued to explore sculpture and adopted ceramic as her primary medium.
Who did Ruth Duckworth survive?
In 1949 she married the sculptor Aidron Duckworth. The marriage ended in divorce. She is survived by a sister, Ilse Windmüller of Holyhead, Wales. After visiting en exhibition of art from India, Ms.
Where did Ruth Duckworth go to school?
Central School of Art and Design
Central Saint MartinsLiverpool College of Art
Ruth Duckworth/Education
What type of clay did Ruth Duckworth use?
As described by ceramist Tony Franks, Duckworth’s style of “Organic clay had arrived like a harvest festival, and would remain firmly in place well into the ’70s”. While ceramists such as Bernard Leach rejected her work, other artists in the UK started adopting her style of hand worked clay objects.
Which New Jersey college did Toshiko Takaezu teach at?
Princeton University
Toshiko takaezu: Earth in bloom – Stanley Yake In the 1950s, she studied in Japan with master potter Toyo Kaneshige and in 1967 began teaching at Princeton University, which awarded her an honorary doctorate in 1996.
Where does Ruth Duckworth live?
She remained in Chicago after retiring from the university in 1977 and moved to a space in the Lakeview neighborhood on the city’s North Side, in a former pickle plant.
What techniques did Toshiko Takaezu use?
With a voracious interest in the techniques of ceramics, she employs various combinations of hand-throwing, wheel-building, and mold-building in her work. Her closed forms serve as volumetric canvases for her painterly applications of glaze.
