How to count konnakol?
How to count konnakol?
Konnakol is the spoken component of solkattu, which refers to a combination of konnakol syllables spoken while simultaneously counting the tala (meter) with the hand. It is comparable in some respects to bol in Hindustani music, but allows the composition, performance or communication of rhythms.
What is the purpose of Konnakol?
Musicians communicate rhythmic ideas to each other using Konnakol and they also use the vocal patterns to practice ideas whilst clapping the talam (cyclic meter) with their hands. Konnakol is the medium used for giving teaching instructions in percussion lessons, with corrections in lessons given vocally.
Where does konnakol come from?
konnakol is the art of recitation of ‘solkattu’ which are the vocal syllables of the mridangam. The word comes from Koni (to recite) in Telugu. This word was adopted in the Tamil language and joined to ‘Kol’ (to rule). Konnakol is used as a reference for all Carnatic music.
What does Solkattu mean?
Solkattu is a traditional way of learning and practicing rhythms through vocalizations of nonsense syllables stemming from South Indian Carnatic music. In performance, Solkattu is traditionally called Konnakol.
What Indian music tradition is Konnakol associated with?
The Art of KONNAKOL Commonly described as a sophisticated style of vocal percussion from the Carnatic tradition, konnakkol is the performance art form of the intoned rhythmic recitation of solkattu, the vocalised rhythmic syllables of South Indian classical music and dance.
How do you count Indian rhythms?
Starts here3:06How to Count Teentaal (16 Beat Indian Rhythm Cycle)YouTube
What is Jathi in mridangam?
Jathis or Jathi patterns are the strings of vocal syllables. recited in Konnakol.
What is Charanam music?
Charanam (meaning foot) in Carnatic music (South Indian classical music) is usually the end section of a composition which is sung after the anupallavi.
What are Solkattu syllables?
Solkattu employes drum syllables, which facilitate rapid oral recitation of rhythmic compositions. These compositions are recited in the context of a basic organiztion of beats repeating in a cyclic form called the tāla. Solkattu compositons with tala are often taught orally before being played on the drum.
How can I learn mridangam?
Starts here3:26Learn to Play Mridangam – Basic Lessons – YouTubeYouTube
What raga should I learn first?
Yaman is a sampurna (consists of 7 notes) raga from the Hindustani music tradition. It is one of the first ragas a Hindustani classical student learns and is considered to be one of the most fundamental ragas in the tradition.
What is Yathi in Bharatanatyam?
Yathi is nothing but arranging different groups of syllables into a beautiful combination that gives particular shape to music is called “Yathi”(alternate spelling is Yati). Yathi is of six kinds. They are, Samayathi, Vishama Yathi, Mridanga Yathi, Veda Madhyama Yathi, Gopucha Yathi, Srothovaka Yathi.
What is the difference between konnakol and mridangam?
By contrast, konnakol syllables are aimed at optimising vocal performance, and vastly outnumber any commonly used finger placements on mridangam or any other hand percussion instrument. Further, all the differences between Carnatic and north Indian rhythms apply equally to konnakol and tabla bols.
What is the meaning of konnakol?
The word comes from Koni (to recite) in Telugu. This word was adopted in the Tamil language and joined to ‘Kol’ (to rule). Konnakol is used as a reference for all Carnatic music. The mridangam being the most versatile of the Carnatic percussion instruments, Konnakol is closely allied with the sounds of the mridangam.
What is the rhythmic solfege of konnakol?
Konnakol uses rhythmic solfege for different subdivisions of the beat called “Solkattu.” Common ones are: †’2′ suffix signifies solfege syllable is held twice as long. ^ “UCLA Journal of Dance Ethnology”.
Who is the teacher of konnakol?
Andersen was a student of Trilok Gurtu (India) and Pete Lockett (U.K.). Subash Chandran’s disciple Dr Joel, who teaches konnakol in the U.K., is noted for incorporating it into rock and Western classical music, notably in a concerto commissioned in 2007 by the viola soloist Rivka Golani.
https://www.youtube.com/watch?v=EpD0LYmhQkI
