What is the plot in the story of Sorry, Wrong Number?
What is the plot in the story of Sorry, Wrong Number?
Due to a telephone glitch, Leona Stevenson (Barbara Stanwyck), a controlling heiress confined to a wheelchair, overhears a conversation about a plan to kill a woman. Unable to leave her home or reach her husband (Burt Lancaster), and written off by the police, Leona struggles to uncover the truth through a series of phone calls that only lead her deeper into a mystery, which may involve her college rival, Sally (Ann Richards), and a scheme to sell pharmaceuticals on the black market.
Sorry, Wrong Number/Film synopsis
What makes the story Sorry, Wrong Number suspenseful?
“A woman is trying to get in touch with her husband but by doing so, she overhears a murder being planned,” Carlson said, “She is an invalid so her only way to contact the outside world is through her phone and it just builds suspense until you find out who gets killed in the end.”
What is the theme of the play Sorry, Wrong Number?
Terror. Terror is an underlying theme in the play Sorry, Wrong Number by Lucille Fletcher. Terror is a classic element in horror, mystery, and crime-themed literature and pop-culture. Terror is essentially fear brought on by some internal or external individual, situation, or circumstance.
What is the main problem of the plot what does Mrs Stevenson overhear when listening in to the phone conversation?
What does Mrs. Stevenson overhear on the phone when trying to contact her husband? She hears 2 men discussing a murder plot.
Why is the setting of the play important to the plot?
Setting is one of the five essential elements of a story. It establishes the mood, reveals characters and conflicts, and gives clues to a story’s theme.
What makes story suspenseful?
Four factors are necessary for suspense—reader empathy, reader concern, impending danger and escalating tension. Only when readers know what the character wants will they know what’s at stake. And only when they know what’s at stake will they be engaged in the story.
What major conflict does Mrs Stevenson face in the drama?
What is the main conflict in the play? Mrs. Stevenson is trying to call her husband, but he isn’t answering.
What happened to Mrs Stevenson in Sorry Wrong Number?
Stevenson’s bedroom and wrestles with her before killing her. He delivers the last line in the play when he picks up Mrs. Stevenson’s phone after he has killed her and tells Sgt. Duffy, “Sorry.
Why does George say sorry wrong number at the end of the play?
Q. What is the effect of George’s line, “Sorry, wrong number” at the end of the play? Duffy thinks that nothing important has happened. The reason for the murder is revealed.
How setting shapes the characters or plot?
The setting influences the plot, which includes the story’s events. Certain actions are more likely to take place in specific environments. Also, the story’s tone and theme rely on its setting. Characters’ backgrounds influence how the characters relate to and behave in the setting.
What is the plot of sorrysorry Wrong Number?
Sorry, Wrong Number tells the story of Mrs. Elbert Stevenson an invalid woman confined to her bed, who becomes increasingly frantic as the story progresses. The drama begins with Mrs. Stevenson attempting to call her husband, who is working late.
What kind of play is Sorry Wrong Number?
Lucille Fletcher’s ”Sorry, Wrong Number” is a 1940s radio drama, a play meant to be heard rather than seen. In this lesson you’ll learn the plot and some of the major ideas from this landmark audio production.
Who is the sponsor of Sorry Wrong Number?
+ “Sorry, Wrong Number”. Sponsored by: Roma Wines. An invalid woman battles the frustrations of the telephone system after she overhears a plot to murder someone. Part of the program opening may have been added from another show. The story was previously produced on Suspense on May 25, 1943 and August 21, 1943.
What was the first radio show with the wrong number?
In 1943 Sorry, Wrong Number first aired on the Suspense radio program. This story by Lucille Fletcher went on to be considered one of the greatest radio drama episodes. It was adapted to become a movie, and a later production of the radio drama won The Edgar Award for Best Radio Drama.
