What scale is bebop?
What scale is bebop?
The major bebop scale is essentially a major scale (also called the Ionian mode) with an added passing tone: the b6. For example, in the key of C major, you’d add a G# (or Ab) as an additional scale tone (a chromatic or non-diatonic passing tone) between the 5th and 6th degrees of the scale (in this case, G and A).
What key is most jazz written in?
The songs that are chosen by jazz musicians are mainly in flat keys – Bb, Eb, F, Ab and Db. This is mainly because the horn players that were the featured soloists – trumpet, saxophone, clarinet – played instruments that are tempered to flat keys.
What is a blue note in jazz?
In jazz and blues, a blue note is a note that—for expressive purposes—is sung or played at a slightly different pitch from standard. Typically the alteration is between a quartertone and a semitone, but this varies depending on the musical context.
How many notes are in the bebop scale?
This makes the bebop scale an octatonic scale which means it has eight notes. There are five types of bebop scales, and each one is derived from a previous scale and simply adds a chromatic passing tone between two notes separated by a whole step.
What is the difference between major and Dorian bebop scale?
In the major bebop scale we add the chromatic passing tone in between the G and the A (the 5th and 6th scale degrees ), a G# as shown by the asterisk below. The dorian bebop scale comes from a scale called the dorian mode. In the dorian scale, we flatten the 3rd and 7th notes of the scale.
What is the harmonic minor bebop scale?
Now we’ll look at the harmonic minor bebop scale which is based on, you guessed it, the harmonic minor scale. In a harmonic minor scale we flatten the 3rd and 6th degrees of scale by a semitone.
How do you make bebop scales?
Here’s the simplest and most direct explanation: you can generate bebop scales by adding strategically placed passing tones to common scales and modes from traditional Western music theory, including the standard diatonic or “church modes” derived from the major scale.
