Who was known for religious symbolism in the Portinari Altarpiece?
Who was known for religious symbolism in the Portinari Altarpiece?
Hugo van der Goes
The Portinari Altarpiece or Portinari Triptych (c. 1475) is an oil on wood triptych painting by the Flemish painter Hugo van der Goes, commissioned by Tommaso Portinari, representing the Adoration of the Shepherds.
When was the Portinari Altarpiece made?
1475–1478
Portinari Altarpiece/Created
What did many Northern Renaissance painters do?
Northern Renaissance in the Netherlands and Germany The Northern Renaissance was famous for its advanced oil painting techniques, realistic, expressive altarpiece art, portraiture on wooden panel paintings, as well as woodcuts and other forms of printmaking.
What did the Northern Renaissance focus on?
The Northern Renaissance, with the new values in secularism and individualism that challenge religious, political and intellectual institutions, focused heavily on religious reforms. As Christian humanism arose, religious reform and the creation of new religious sectors away from the Catholic Church was promoted.
What kind of painting is the Portinari Altarpiece?
Jump to navigation Jump to search. The Portinari Altarpiece by Hugo van der Goes. The Portinari Altarpiece or Portinari Triptych (c. 1475) is an oil on wood triptych painting by the Flemish painter Hugo van der Goes representing the Adoration of the Shepherds.
Where is the Portinari Triptych?
The Portinari Altarpiece (1476-9) Intended to commemorate his success in Flanders, the triptych was to be installed on the high altar of St Egidio, the church of the hospital of Santa Maria Nuova in Florence, the Portinari family chapel, which had been founded in 1288 by Folco Portinari, one of Tommaso’s ancestors.
How did Portinari’s choice of a netheranish artist affect Italian art?
Portinari’s choice of a Netherlandish artist to complete this great altarpiece to be sent back to Florence helped to effectively change aspects of Italian art. The latter half of the fifteenth century was characterized by increased artistic exchange between northern European and Italian artists.
Why did van der Goes paint the altarpiece?
The Portinari Altarpiece (1476-9) Whatever his previous accomplishments, Van der Goes produced a masterpiece of Flemish painting which was not only an appropriately grandiose tribute to Portinari, but also a highly personal vision of the Nativity, possibly inspired by the visions of Saint Bridget of Sweden.
